A selection of recent pieces, with audio/video/scores where available:
Spreadsheet Music #1 (2022)
For electric guitar, field recordings and synthesiser
Modular composition that varies in content depending on the date of performance and specified duration
Realisation published by Cartopodes podcast in their “29.02.2022” episode
Don’t Bore Us, Get to the Chorus (2021)
For nine electric guitars
Composed and recorded during various COVID-19 lockdowns and other restrictions
Quiet Pint at The King Bill (2019)
For electric guitar and synthesiser
Performance by Ben Jameson and Harry Matthews at Centrala, Birmingham (Post-Paradise series), on 29/3/19
Quiet Pint at The Butcher’s Hook (2017)
For electric guitar and delay
Performance by Ben Jameson at The Butcher’s Hook, Southampton (Playlist series), on 14/11/17
Silent Doom Disco (2017)
For three head banging performers and audio playback
Performances by OUT-TAKE Ensemble at The Talking Heads, Southampton on 20/11/17, and by Plus Minus Ensemble at City University, London on 27/3/18
Power Trio (2016)
For electric piano, electric guitar and drum kit
Tapping Piece (2015-16)
For four electric guitars
Performed with Joe Manghan, Harry Matthews and Máté Szigeti at the John Hansard Gallery, Southampton on 3/3/16
Performed by the Percussion Ensemble of the Freiburg Hochschule für Musik, 8/12/18
Demo recording of revised version:
Construction in Metal (2014-15)
For electric guitar and Guitar Hero controller
Performances with Mark Knoop at the Turner Sims, Southampton on 2/11/15, and at Hundred Years Gallery, Hoxton (Weisslich series) on 23/4/16
Performances with Máté Szigeti at Bath Spa University (Ludomusicology 2017) on 21/4/17, and at The Talking Heads, Southampton on 19/6/17
Powerchord Study (after Black Sabbath) (2014-15)
For piccolo, clarinet, violin, cello and piano
Performances by Ensemble Fractales at Cellule 133a, Brussels on 5/5/15 and at the Turner Sims on 11/5/15