On the 29th March, Harry Matthews and I were delighted to be invited to perform in Birmingham’s Post-Paradise concert series, which is held at the Centrala gallery in Digbeth every month. Although we have performed together many times before as part of OUT-TAKE Ensemble, this was our first performance as part of a new duo project that we have been talking about for a while.

We started our set with the premiere of Harry’s new noise-pollution inspired work electric guitar, in Southmead (1m55sec), which the two of us have been working on together for several months. This was followed with the first performance of my latest work, Quiet Pint at The King Bill, for electric guitar and synthesiser, which explores microtonal tuning systems and polyrhythmic delays, to expand on ideas that I began investigating in 2017’s Quiet Pint at The Butcher’s Hook.

You can listen to a newly released recording of my piece here:

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