On 3 March I took part in a fantastic concert at the John Hansard Gallery in Southampton. The evening featured electroacoustic and amplified music by various different composers, including several great pieces from my some of my colleagues at the university. These were performed across two rooms within the gallery, which proved to be an excellent space (a shame they are moving off campus soon!). We had a really great turnout and I think most of the audience enjoyed the music.
My contribution to the night was performing two solo electric guitar pieces-Morton Feldman’s The Possibility of a New Work for Electric Guitar (1966) and Christian Wolff’s Another Possibility (2004), and a performance of my Tapping Piece, for four electric guitars, to close the concert. This piece involves an unusual method of playing the guitars, striking the bodies of the instruments with drumsticks to produce a droning effect, and varying the harmonies produced by using volume pedals. The piece seemed to go down well, and I’m grateful to Joe Manghan, Harry Matthews and Máté Szigeti for helping to perform the piece (a task requiring both mental and physical stamina).
Here is a short taster clip of the piece that I produced to promote the concert (I hope to make a full recording soon!):